Also nominated are: Jon Kilpatrick – Best Supporting Actor in a Musical or Play (non-professional) Luke Browder – Best Supporting Actor in a Musical or Play (non-professional
FUN HOME is nominated for: Best Musical – (non-professional) Samantha Jemmott – Best Actress in a Musical or Play (non-professional) Page Vasel – Best Supporting Actress in a Musical or Play (non-professional) Noah Fitzer – Best Supporting Actor in a Musical or Play (non-professional)
BOY is nominated for: Best Play – (non-professional) Noah Fitzer – Best Actor in a Musical or Play (non-professional) Elizabeth Colson – Best Supporting Actress in a Musical or Play (non-professional)
Hannah Searcy plays Joan (as in “Changing My Major to Joan”).Hannah has been performing for ten years, and some of her favorite roles include: Ariel in Disney’s The Little Mermaid (Spartanburg Little Theatre),Lucy Van-Pelt in You’re a Good Man, Charlie Brown! (Spartanburg Repertory Company), Sophie in Mamma Mia! (Tryon Little Theatre), and Ruth in Blithe Spirit (Rutherford County Arts Council).
Samantha Eyler, Paige Vasel and Eve Begelman play lesbian cartoonist Alison Bechdel at three different ages (43, 19 & 10 respectively) in Proud Mary Theatre Company’s production of the Tony-winning and groundbreaking musical “Fun Home.” with a live orchestra June 7-16 in the Venue at the West Main Artists Co-Operative in Spartanburg.
“Fun Home” runs through June 16, 2019 at the West Main Artists Co-Operative, 578 West Main St. in Spartanburg. Shows are Friday-Saturday at 8 p.m. and Sunday at 3 pm. Tickets are $15-25. For more information, visit www.proudmarytheatre.com.
Eve Begelman (Small Alison) has performed as vocalist, actor, and violinist since the age of seven. As a scholar in the 92nd Street Y Recanati- Kaplan program for voice, Eve appeared as a soloist with the Orchestra of St. Lukes in a NYC premiere of Maximus Musicus and as a guest soloist with the Christian McBride Trio. During her time as a member of the Manhattan Girls Chorus, she performed at Carnegie Hall with Zubin Mehta and the Israel Philharmonic. In 2018, Eve performed the role of Viola in Twelfth Night at the American Shakespeare Center summer program and in the South Carolina Governor’s School Discovery drama program. Regional theater credits include Young Juliette in For What it’s Worth, Tracy Turnblad in Hairspray, Katie Spoonapple in Dear Edwina. Eve has performed in the Midtown International Theatre Festival and the Dream Up Festival in New York City. In May 2019, Eve was selected to perform on the Rising Stars Piccolo Spoleto Festival and at the Peace Interludes Series at the Peace Center. Eve is a rising sophomore at the Fine Arts Center and Wade Hampton High School.
Paige Vasel (Medium Alison) Paige Vasel (Medium Alison) is a Wisconsin native and recent Converse College graduate with a BA in Musical Theatre and Dance. Fun Home is her third production with the Proud Mary Theatre Company and she couldn’t be happier to join them in telling this incredibly moving story. Previous credits include Rocky Horror (Janet Weiss) at The Warehouse Theatre, Never Swim Alone with The Guerrilla Shakespeare Company, Heathers(Veronica Sawyer) at Converse College, and more.
Samantha Eyler (Alison) has a BA in Musical Theatre from Marywood University. Fun Home is her premiere show in the Greenville area but she has performed in and costumed numerous shows across several states. Notable past roles include Mae (Reefer Madness, Imagine Productions), Magenta (Rocky Horror Show, Cyclodrama), Dina (Schoolhouse Rock Live, Shadowbox Live), and Diana (Chorus Line, 24/7 Mainstage).
attracted you to this role? To this musical?
I love musicals with substance. I think the lighthearted,
just-for-fun musicals have their place but I think what makes musical
theatre special is the ability of music to transcend the words and
portray emotion and storytelling on another level. So, I am always
drawn to musicals that utilize that technique and tell an engaging,
moving, and emotional story.
PV: This musical is so raw
and honest – it’s based on someone’s real life story and it handles
that with extreme care. I wanted to take on that challenge of sharing
a personal, true story. Hopefully I’ve done it gracefully! What
attracted me to this role in particular is that I’m playing Alison at
a very pivotal moment in her life; the moment she defines
herself as a gay woman. It’s a huge breakthrough for her and making
that life altering discovery every night as an actor is a joy.
This musical has a relevant and powerful theme that is important for
any audience to learn. I was interested in telling this story and
taking on small Alison as I envisioned her.
was your familiarity with FUN HOME?
My mother bought me Alison Bechdel’s graphic novel as a gift knowing
only that it had something to do with some musical. I had heard of
the musical but hadn’t really gotten into yet when I first read the
memoir. I was so moved by the way she used the graphic novel genre to
tell a completely different type of story.
I’ve been tracking the show since the soundtrack first came out –
though I’ve actually never seen a production of it! I loved the music
and the storytelling is so strong through the lyrics and underscoring
that you can understand the heart of the show just by listening to
I had seen the Broadway production.
you read the memoir was based on? SE: Reading the
memoir was my first introduction to the show and I reread it when I
have read the memoir! I had bought it a couple years prior to being
apart of this show and reread it once I had gotten the role.
can you tell our readers about your character?
Of the three iterations of Alison, she is the most at peace with who
she is. She has grown into herself and she has already made a career
as a “lesbian cartoonist.” However, she still hasn’t
properly mourned the loss of her father. She starts the show very
cavalier about her painful memories but as the story unfolds she
rediscovers herself and comes to terms with everything she knows
about her father.
Alison starts off very unsure of herself but being away at college
presents her with an opportunity to learn who she is. And you get to
see that journey of self discovery in the show. She’s uncomfortable
in her body at first, she’s more reserved, and timid. And then as she
figures out who she really is, she really opens up.
Small Alison is an adamant and strong willed 10 year old. She is
passionate about cartoons and gets along well with her siblings.
are some of the more interesting things you have discovered or done
in the rehearsal process?
got to do a really exciting workshop with an intimacy coordinator. I
am not involved in the
scene of the show where the techniques
were used but it was really interesting to learn the techniques that
she uses to choreograph intimate moments in shows.
thing I noticed about Alison is how similar she is to her father.
They are both headstrong, bold, and opinionated. But Medium Alison
asserts many times throughout the show that she’s nothing like him.
But after finding out about her father’s queerness, I think that
really changes everything for her.
Alison is not rude and pushy, she is clear about what her
opinions are and is not afraid to show it.
is the most challenging part about your role or songs? SE:
This role has been
significantly more challenging than I expected. I felt like I had a
solid understanding of the character and she show prior to
rehearsals. Because I am onstage observing all of the other moments
of the show, I have spent a lot more time delving into my emotional
and character arc and it has been wonderful but definitely a
challenge and certainly time-consuming. PV:
songs are so wordy! It’s hard to find time to breathe. I love
but the song can leave me a little breathless at times and I put a
lot of effort into enunciating everything to the best of my ability
so that the audience can understand what I’m trying to
The biggest challenge in playing this role is making sure I come
off as young as possible and have the energy a 10 year old would.
have you learned about yourself from playing this role?
Alison talks candidly in the
memoir and in interviews about how she didn’t know how to properly
process her emotions for much of her life, especially following her
father’s death. I identify with that so much. I have found this to be
a very cathartic experience and, though I have a very different story
and family life, I have learned a lot about myself and the way I
handle emotional experiences whilst wading through Alison’s
learned that accepting yourself and being open with the world, while
scary, can give you a lot of power and strength. EB:
I have learned how
much other actors choices can help me form my character.
What do you hope patrons will take away from their Fun Home experience?
I hope they enjoy the show but I also hope that they take away
something deep and meaningful from this story. I think there are
elements that everyone can connect with and I hope they are able to
journey with us and walk away knowing themselves better.
hope audiences can identify their own narratives within this story.
While the show is very personal and unique, it speaks on a broader
level about family and acceptance and everyone can relate to that.
I hope patrons take away how important father=daughter
all three play the same character Alison Bechdel at three different
ages. What has been your strategy among the three of you to
assimilate this person? Any physical traits or gestures you all have
SE: We did
a rehearsal where we all tried to see what gestures we were each
using and tried to assimilate them across the three of us and get
some physical consistency to Alison. As I am in the position of
observing most scenes, I am in a good position to try to mimic and
mirror the other two without seeming forced. I think we have
discovered the character of Alison separately and when we came
together we have worked to fill in the gaps to create a smooth
transition from one Alison to the next and I’m excited about the
growth we portray through her life.
Watching the other Alisons
helped me decide how I would move and act as the younger version of
Andy Lecture plays Roy and multiple characters and.is thrilled to be a part of this South Carolina premiere, with such a brilliant cast and crew! This is Andy’s second show with Proud Mary. He formerly appeared as Benny/Iona Traylor in “Southern Baptist Sissies”. Other favorite roles include: Jeffrey/Lamar in “Godspell” and Seymour Krelborn in “Little Shop of Horrors” (FIRE Theatre Co.), Jake in “Second Chance” (Centrestage), Isaac in “Beautiful Child” (Order of Furman Theatre), and ensemble in “RENT” and “Sweeney Todd: the Demon Barber of Fleet Street” (Furman University Pauper Players). During the day, Andy teaches students with Autism Spectrum Disorder at Project HOPE Foundation, and loves learning from his students and watching them grow. He also teaches colorguard at Riverside High School. Theatre, however, is where his heart truly lies. Thank you, once again, for all of your support, Sandy! Insta: @andyrlecture
What attracted you to
this role? To this musical?
I actually got a message from Sandy after auditions had been held, because they
needed to fill the role of Roy. I didn’t audition due to time constraints, but
when Sandy asked, I knew I had to do it, and I’ve made it work! Fun Home is such a funny but beautiful
show, and the story it tells is SO important – especially here in the South. My
upbringing was nothing like that of Alison Bechdel’s, but so many of my gay
friends had the same struggles she did, and I feel that story needs to be
shared with people who otherwise wouldn’t know what that experience does to
people like us. I wanted to be a part of Proud Mary sharing this story with the
What was your
familiarity with FUN HOME?
I saw the touring production when it came to the Peace Center a couple of years
ago. I absolutely loved that cast! Other than that, though, I hadn’t regularly
listened to the soundtrack or anything until I started work with this
Have you read the
memoir was based on?
I have not, but it is on my list! Just after reading Game of Thrones 😉
What can you tell us
about your character?
My main character, Roy, seems fairly two dimensional in this show, because he
is that “other guy”. From an audience perspective, that’s all you
really get. But what I really like about playing all of my characters, is that
they have their own sort of storyline to follow that sort of connect to each
other. After Roy has a brief introduction in the beginning, I start off as
Pete, who has a strictly business relationship with Bruce in the Fun Home.
After that, I return as Roy, who has a casual but intimate relationship with
him. Roy has to hide his sexuality so that Helen doesn’t catch on, and the
literal hiding he does with Bruce through their various encounters is an
interesting parallel to the typical “I haven’t come out to my family, I
have to keep my boyfriend a secret” narrative that so many gay people
experience. After I finish with Roy, I play Mark, who is a minor, and an
unwilling participant to Bruce’s sexual exploration. In that way, my characters
have this flow from professional to victim, and I find that to be pretty
What are some of the
more interesting things you have discovered or done in the rehearsal process?
I particularly enjoyed our movement exercise that we did, where we chose one
line of script from the show and explored different ways of physically
expressing it as we said it. I’m sad, though, that I missed our intimacy
coaching session! From what I heard, I missed some pretty neat ways of ensuring
everyone is comfortable during the rehearsal process.
What is the most
challenging part about your role or songs? “Raincoat of Love” is a fun song, but sits in the higher part of
my range. Sometimes that A doesn’t come out the way I would like it to! Also,
playing opposite Boyd (Bruce) has been somewhat of a challenge, because it’s
hard to be that ‘other guy’. My challenge has been to make Roy likable despite
that, particularly because Bruce’s kids like Roy so much. Making Helen like Roy
is particularly hard, because she absolutely knows what’s going on, but it’s
necessary to keep the family dynamic remain somewhat intact.
What have you learned
about yourself from playing this role?
I’ve learned the incredible story of Allison Bechdel’s upbringing and life. Her
story is so powerful.
That every person, and I mean EVERY PERSON, is worthy of their family’s love
and acceptance, as long as they aren’t hurting anyone else. That the damage
that not loving and accepting someone for who they are can truly tear a family
apart, and have such a toll on them. But, we can remain resilient, strong, and
true to our character. Allison is so strong to be able to grow from this
experience, and to share it with the world.